Here's a transcription of Moignard's A section on Coquette. There's a bunch of interesting concepts to pull here. Firstly the chromatacism in the first couple of measures. I particularly like the focus on the #11 on beat two of the second measure. While it definitely has a more informed and almost bop like harmony to it, the phrasing with the triplet rests is what really grabs the attention here. It's hard to do well, especially when trying to place chord tones and chromatic